This time José Molina doesn't use his usual language of deep and intense black and white tones, but the playful and lively tones of color, without giving up his powerful visual imagery. The brand new collection, entitled A HERO NEVER DIES, is inspired by people from the world of culture, politics and the masterpieces of Western art. As the artist himself says, the nostalgia for the game, the challenge of trying new languages, a certain desire for carefree have inspired the creation of this new cycle of works. One of the most important functions of art is to keep the memory lit by reviving icons of the past or present, characters that have influenced or are influencing our lives. His wants to be a re-reading, sometimes to pay homage, sometimes to criticize in a light but penetrating way. The idea of reinterpreting masterpieces of Western art and characters of our time through play is his way of proposing an art accessible to all, establishing a more direct contact with his audience. The title of this series of works, A HERO NEVER DIES, does not want to project these figures into a dimension that does not belong to us as humans, but rather to make them feel closer to us through a look of tenderness and sometimes more pungent irony.
For the brand new collection A HERO NEVER DIES, José Molina took inspiration from the faces of the masterpieces of Werstern Art and famous people belonging to the world of culture, cinema, politics.
If in the other series Molina used mostly the black and white to underline and recount the most secret aspects of human nature, here, for the new collection about the heroes, the language changes.
The deep and intense tones, so typical of his works, are now replaced by playful ones brightened by the use of colour, which enhance his stonly figurative visual language.
The need of carefreeness that inspired this new collection meets here a skilled mixed technique: here the cutlural return to classicism coexists with the inovative quest and respresentation of a playful world.
As stated by the artist himself, the nostalgia of the act of playing is the driving force of this new series.
For Josè Molina, the main function of art is that of keeping the memory alive.
In order to do so, the Spanish artist has combined plastic bodies made of Lego with famous faces of icons of the past and the present.
The characters look straight at the viewers, questioning them in a bijective way.
Initially, they require a crtical analysis of their own character, to then leave the place to a self-examining and personal analysis of the viewers themselves.
This purely conceptual aspect manages to transpire thanks to Molina transformation of neo-pop.
The artist recovers the rich symbolic content typical of neo-pop artworks, giving them form with his extraordinary pictorial and technical skills.
This reinterpretation of Art makes his artworks a mean of comunication which is accessible to everyone.
Oppositely to what the title may suggest, the direct relationship with the viewer reflect the very concept of herosim within contemporary society.
The tender and ironic context of the series get the heroes closer to common people, while detatching them from the world of the myths.